Xld mp3 256
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I then down sampled with XLD to 16/44 AIFF and 256Kbps AAC. I started with known good 24/96 source material (Brahms, Shostakovich and Mahler) in AIFF. I have been doing quite a bit of testing recently with the following observations:ĩ0% – distinguish the difference between 24/96 and 256Kbps AACħ0% – distinguish the difference between 16/44 and 256Kbps AACĦ0% – distinguish the difference between 24/96 and 16/44 This is a solid, well-crafted test that shows, yet again, that high-resolution music is a marketing ploy.
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The results of this survey appear to support the notion that high bit-depth music (24-bits) does not provide audible benefits despite the fact that objectively measurable DACs capable of > 16-bit resolution are readily available at very reasonable cost these days. In a naturalistic survey of 140 respondents using high quality musical samples sourced from high-resolution 24/96 digital audio collected over 2 months, there was no evidence that 24-bit audio could be appreciably differentiated from the same music dithered down to 16-bits using a basic algorithm (Adobe Audition 3, flat triangular dither, 0.5 bits). Most interesting were the results of people who claim to be audio hardware reviewers. Musicians who were more confident than average got even worse results:Īnd those with some experience of recording, mixing and editing, with high confidence, were only slightly better than random: The tester asked a number of questions to be able to analyze the listeners performing the test, including their musical experience, approximate value of their stereo equipment, and their confidence in their answers.įor example, those who claimed to be very confident or certain of their answers were still either 50/50 or more wrong than right: What’s most interesting about this test is the fact that it seems to have been very well constructed. For one of the files – the one with the greatest dynamic range, which should have benefited most from the additional resolution, 47% of people picked the correct file as being the 24-bit version, and 53% got it wrong. For two of the three files, the results were 50/50, exactly what you would get if you guessed randomly. He provided 140 listeners with three pairs of files (read the procedure used for the test), and asked them to determine which one was the high-resolution, 24-bit file. Archimago has posted results of a detailed, well-crafted study and survey about high-resolution music.
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